In this issue, our spotlight feature focuses on mental wellbeing, with contributions from several experts on the mental health tsunami we are facing as a result of the current pandemic. Elsewhere, we look around the brand new offering from Locke Living, and David Thame examines the impact COVID-19 is having on the education property market (hint: it's not all doom and gloom!) Each one of our covers is unique – including our logo. We hand over the reins to a different designer each month, making our print magazines a work of art in themselves. Thank you to Willmott Dixon Interiors and Karndean for this month's logo and cover image.
Willmott Dixon Interiors: 'The cover has a rich array of geometrical shapes and finishes, creating a mood. We embedded the Mix logo in some of these shapes, and added shades and textures to enhance them, so the logo is initially visible, but the viewer is also encouraged to discover variants of it.'
Karndean: 'The grained detail and chalkiness of limestone, paired with the limed washed and distressed textures found in European Oaks, have been the inspiration for Karndean Designflooring’s latest additions to their Korlok and Van Gogh collections. The new designs provide a range of rustic and sleek finishes, combined with the premium quality expected from a Karndean floor.'
View the cover archiveAs the pandemic drags on, Dr Craig Knight offers an insight into the potential long-term mental health effects of Covid on the workforce.
A collaboration between two mission driven companies, The Good Plastic Company and Impact Acoustic, Coral Reef is a bespoke panel created from recycled PET offcuts.
Investing in an agile space and remote working technology meant a seamless transition for the workforce when this year's lockdown was implemented.
We had a pandemic well before COVID, says Dalia Feldheim. But it's not too late to reverse it.
Property expert David Thame discusses the future of work with Convene’s James Frankis and BE Group’s Jonathan Weinbrenn.
What exactly does a COVID-secure office look like? Criteo's Mike Walley ponders.
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