What were the key objectives set by the client?
The clients wanted to create a world class second theatre for the Royal Opera and Royal Ballet alongside the historic auditorium; to create new facilities and spaces to enhance the experience for audiences around performances in both theatres and to invite a new daytime audience to connect with the extraordinary world of ballet and opera, often for the first time. The client was keen that, at all times of the day, the Royal Opera House building should be a place to glimpse the remarkable forces at play behind the scenes; a place to relax and have a coffee, lunch or a drink in the midst of the one of the world’s most beautiful opera houses, a place to see artists at work and a place to showcase its guiding principles of excellence, theatricality and curiosity.
What was the biggest design/cultural challenge?
Carving out the new spaces posed considerable design and engineering challenges as the Opera House remained operational throughout the three-year construction period, with construction going on around 996 uninterrupted performances!
Can you sum up the greatest transformational element?
The Linbury has been transformed from a cramped and uncomfortable studio theatre into a state-of-the-art artistic laboratory, making the Royal Opera House the only one of the five great opera houses in the world with a second house.